1966 Collection In Black

Designed By Richard Schultz, 1966

Richard Schultz designed the 1966 Collection at the request of Florence Knoll who, after retiring, wanted outdoor furniture that could withstand the corrosive Florida ocean air. The 1966 Collection is regarded as the first modern outdoor furniture and has been the category standard ever since.

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Richard Schultz Black 1966 Collection
  • Richard Schultz 1966 Collection
  • Richard Schultz 1966 Collection
  • Richard Schultz 1966 Collection
  • Richard Schultz black
  • Richard Schultz 1966 Collection
  • Richard Schultz 1966 Collection
  • Richard Schultz in black
  • Richard Schultz 1966 Collection
  • Richard Schultz 1966 Collection

Details

FEATURES

The 1966 collection was designed at the request of Florence Knoll, who wanted well-designed outdoor furnishings that would withstand the corrosive salt air at her home in Florida.Through the years, the 1966 Collection has earned a special place in the world of outdoor furniture and is considered a classic design for the garden


CONSTRUCTION

Frame: Cast and extruded aluminum
Finish: Weather resistant Polyester Powder Coat

Glides: Clear butyrate plastic

Straps: Solid pure vinyl with no fillers
Thread: Gore™ Tenara® sewing thread (Teflon) Supports: Stainless steel

Connectors: Stainless steel


FINISHES

Upholstery: Woven vinyl coated polyester mesh for the chairs

The Top of the tables is in dark bronze porcelain

Dimensions

1966 COLLECTION IN BLACK

Chair without arms: 48cm W x 62cm D x 79cm H.

Chair with arms: 59cm W x 61.5cm D x 79cm H

Lounge Chair with arms: 66cm W x 72cm D x 66cm H

Adjustable Chaise Lounge: 64.5cm W x 193cm D x 36.5/91.5cm H

Contour Chaise Lounge: 62cm W x 147cm D x 85.5cm H

Square tables: 71/96.5cm W x 71/96.5cm D x 72cm H

Rectangular table: 152cm W x 96.5cm D x 72cm H

Coffee table: 45.5cm W x 45.5cm D x 39cm H


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Product Story image

Richard Schultz: "In October 1962 I began working on an aluminum outdoor group. Florence Knoll moved to Florida and said, 'You have to make some decent outdoor furniture, something that is made out of materials that won’t rust and corrode.' That appealed to me, and I started working.

"I experimented with button connectors for the slings, padded slings and plastic beading around the tabletops. Ultimately I devised concealed connectors, which made the chairs more elegant.

"In April 1963 Florence Knoll approved the outdoor program. I had to develop all the patterns for all the cast parts. It took me a long time to develop the collection, as there wasn’t a whole team of people to help me. Details were carefully considered. We spent so much time refining it. That’s why the furniture still looks fresh.

"In March 1966 the furniture was introduced. The furniture didn’t have extraneous curves. Most outdoor furniture those days was designed to look like it was designed before the French Revolution, with stamped out metal, bunches of flowers and leaves; it was very much period looking furniture. This was the first outdoor furniture that enthusiasts of modern design could say, 'this is a breath of fresh air.'"

Designer image

Richard Schultz joined Knoll Associates in 1951 to work with Harry Bertoia, after studying at Iowa State University and the Illinois Institute of Technology in Chicago. In addition to his work for Knoll, he designed an office system for Stow/Davis. He also taught basic design at the Philadelphia College of Art and had a one-man show of his sculpture at The Museum of Modern Art, New York.

Richard Schultz(1926) Birthplace USA


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